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Performance (film) - Wikipedia. For the 2. 01. 2 film A Late Quartet, released in Australia as Performance, see A Late Quartet.

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4. Performance is a 1970 British crime drama film directed by Donald Cammell and Nicolas Roeg, written by Cammell and photographed by Roeg. The film stars James Fox as a.
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Performance is a 1. British crimedrama film directed by Donald Cammell and Nicolas Roeg, written by Cammell and photographed by Roeg. The film stars James Fox as a violent and ambitious London gangster who, after carrying out an unordered killing, goes into hiding at the home of a reclusive rock star (Mick Jagger of The Rolling Stones, in his film acting debut). The film was produced in 1. Warner Bros. to distribute the film because of its graphic violence and sexual content.

It received a mixed critical response initially, but gained a cult following, and since then its reputation has grown in stature; it is now regarded as one of the most influential and innovative films of the 1. British cinema. In 1.

Performance was voted the 4. British film of all time by the British Film Institute; in 2. Empire magazine ranked the film 1. Greatest Movies of All Time.

Chas (James Fox) is a member of an East London gang led by Harry Flowers (Johnny Shannon); his specialty is intimidation through violence as he collects pay- offs for Flowers. He is very good at his job, and has a reputation for liking it. Watch Cold Souls HDQ. His sexual liaisons are casual and rough.

When Flowers decides to take over a betting shop, owned by Joey Maddocks (Anthony Valentine), he forbids Chas to get involved, as he feels Chas' complicated personal history with Maddocks may lead to trouble. Chas is angry about this and later humiliates Maddocks, who retaliates by wrecking Chas' apartment and attacking Chas. Chas shoots him, packs a suitcase and runs from the scene.

When Flowers makes it clear that he has no intention of offering protection to Chas but instead wants him eliminated, Chas decides to head for the countryside to hide but instead winds up hiding out in London, requesting that Tony (a trusted friend he refers to as 'Uncle') helps him get out of the country. He assumes a new name, Johnny Dean, and appears at the house of Turner (Mick Jagger), makes a clumsy attempt to ingratiate himself with Pherber (Anita Pallenberg), one of the female inhabitants, and moves in. Turner is a reclusive, eccentric former rock star who has "lost his demon", and who lives there with his female friends Pherber and Lucy (Michèle Breton), with whom he enjoys a non- possessive and bisexual ménage à trois, and their child maid Lorraine (Laraine Wickens). At first, Chas is contemptuous of Turner, and Turner attempts to return the rent paid in advance, but they start influencing each other.

Chas also enjoys intimate moments with Pherber, during which he shows his bisexual tendencies. Pherber and Turner understand his conflict and want to understand what makes him function so well within his world. To speed up the process, Pherber tricks him by feeding him a mushroom (Amanita muscaria), and Chas then accuses her and Turner of poisoning him.

After that evening, Chas opens up, and he begins a caring relationship with Lucy. Flowers and his henchmen track Chas to Turner's flat. They are appalled by the loose clothing and feminine wig that Chas now wears, and allow him to go and collect his things upstairs. Chas discusses his options with Turner and Pherber, then shoots Turner in the head. Pherber hides in a closet. As he is led to his death, Chas still wears his feminine clothes and wig, but his face is identical to Turner's.

Production[edit]Development[edit]Performance was initially conceived by Donald Cammell as "The Performers" and was to be a light hearted swinging '6. At one stage, Cammell's friend Marlon Brando (with whom he later collaborated on the posthumously published novel Fan Tan) was to play the gangster role which became "Chas".

At that stage the story involved an American gangster hiding out in London. James Fox, previously cast in rather upper crust roles, eventually took the place of Brando and spent several months in South London among the criminal underworld researching his role.[1]As the project evolved the story became significantly darker. Cammell was influenced by the Argentinian writer Jorge Luis Borges (a portrait of Borges on a book cover can be seen at a crucial moment in the film), as he redrafted the script to create an intense, intellectual film dealing with an identity crisis.[2]Artaud's theories on the links between performing and madness also influenced Cammell. Cammell and co- director Nicolas Roeg (mainly responsible for the 'look' of the film) also benefited from a lack of interference from Warner Bros. Rolling Stones equivalent of the Beatles' A Hard Day's Night (1.

Instead, Cammell and Roeg delivered a dark, experimental film which included graphic depictions of violence, sex and drug use. It was intended that the Rolling Stones would write the soundtrack but due to the complicated nature of the various relationships on and off- screen, this never happened. It was widely rumoured that Mick Jagger and Anita Pallenberg – then in a relationship with Keith Richards – played out sexual scenes in the film 'for real' (out- takes of these scenes apparently won a prize at an Amsterdam adult film festival). When Richards heard the rumours, he apparently took to sitting in his car outside the house where the film was being shot. Needless to say, this didn't do much for the Jagger–Richards musical chemistry and the soundtrack came together from a number of sources.

Post- production and release[edit]The film has gained notoriety due to the difficulties it faced in getting on screen. The film's content was a surprise to the studio. It has been reported that during a test screening, one Warner executive's wife vomited in shock.[3] Nic Roeg notes in Richard Lester's TV series Hollywood UK: British Cinema of the Sixties (originally broadcast on 3 October 1. BBC Four in 2. 00. Warner exec said of the scene depicting Jagger in a bath with Pallenberg and Breton, "Even the bath water was dirty." The response from the studio was to deny the film a cinematic release.

It has been claimed that at one stage Warner Bros. Performance was finally released in 1. Frank Mazzola, working under the close supervision of Cammell, with a brief from Warner Bros to introduce Mick Jagger earlier in the film) and changes in Warner's administration. When the film was first released in the United States the voices of a number of the actors in key roles were dubbed because the studio had feared that Americans would find their Cockney accents difficult to understand.

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